If you're a writer, you probably have a work-in-progress (WIP). Heck, if you're a writer, you probably have a dozen WIPs.
After you've completed a first draft, and after putting it aside for a suitable "percolation period," it's time to get busy with the initial round of revisions. (I know many writers edit as they go. If I tried that, I'd never get past the first chapter!)
Here's a tiny glimpse into the beginning stage of my sausage-making operation. Sometimes I change the order of the steps or omit a few, but eventually I grind and slice and dice and squish everything together into one tasty hunk of novelwurst.
I begin at the computer, where I...
Spell check. I do this multiple times throughout the process. I don't know about you, but a gremlin lives in my laptop and likes nothing more than to jack with me by adding typos and misspellings when I'm not looking.
Examine/eradicate/change my crutch words. Using WORD's Find and Replace feature, I search for all the words I typically overuse: that, just, maybe, sometimes, pretty, little, smile, nod, exopthalmos (just seeing if you were still with me), etc. I don't get rid of every instance, but I delete a lot of excess verbiage (especially those pesky "that"s that keep cropping up). Sometimes I also search on -ly words (bad adverbs! bad!).
Insert/adjust chapter breaks. Some are "cliff-hangers," some are logical scene endings, and others are based entirely on writer's whim. I re-jigger them so I don't end up with any 2-page chapters or 42-page chapters.
Tidy up transitions. My goal is to get the reader from one scene to the next smoooooothly and (relatively) unconfused.
Pretty-up ugly prose. Tighten, tighten, tighten.
Fill in those ominous XXXs. While writing the draft, I insert an XXX "placeholder" whenever I need a particular name (person, place, thing) but don't know it. Now is when I actually do the research to fill in the blanks.
Work out/refine timeline (see earlier post on A Million Blogging Monkeys). I get a calendar from whatever year/month the story takes place and map out the timeline. This way I can avoid having my characters undertake 36 hours of stuff in a single afternoon--and other embarrassing goofs.
What's next? After I complete all of the above (on the computer), I print out the manuscript and do a hardcopy edit. My eye seems to catch different things when I read on paper. (Plus I like scratching stuff out with a big 'ol red pen.)
Then it's on to read for story flow and character development (I'll leave those details for a future post).
How about you? For those who don't edit as you go, is your process anything like mine, or is it something totally different?
How do you make your sausage?
(This entry is “simul-posted” on InkSpot.)
Be sure to visit the blog on Monday for Part I of an interview with fellow InkSpot blogger Keith Raffel.